<b>REMAINING STRUCTURES</b> / Tomoo Inagaki1923<b>SOLD</b></em>

$13.00

ARTIST: Tomoo Inagaki (1902-1980)
TITLE:
Remaining Structures
MEDIUM: Woodblock
DATE:
1923
DIMENSIONS:
7 x 5 inches
CONDITION:
Excellent; no problems to note
LITERATURE:
Tomoo Inagaki Complete Collected Works, Keisho-sha, 1982
MEDIA: This work was discussed in our exhibition CJP Seminar Series

.

SOLD

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ARTIST: Tomoo Inagaki (1902-1980)
TITLE:
Remaining Structures
MEDIUM: Woodblock
DATE:
1923
DIMENSIONS:
7 x 5 inches
CONDITION:
Excellent; no problems to note
LITERATURE:
Tomoo Inagaki Complete Collected Works, Keisho-sha, 1982
MEDIA: This work was discussed in our exhibition CJP Seminar Series

.

SOLD

ARTIST: Tomoo Inagaki (1902-1980)
TITLE:
Remaining Structures
MEDIUM: Woodblock
DATE:
1923
DIMENSIONS:
7 x 5 inches
CONDITION:
Excellent; no problems to note
LITERATURE:
Tomoo Inagaki Complete Collected Works, Keisho-sha, 1982
MEDIA: This work was discussed in our exhibition CJP Seminar Series

.

SOLD

 
 
 
 

Details

The Great Kanto Earthquake of 1923, a catastrophic event in Japanese history, profoundly impacted the realms of photography and printmaking. In its aftermath, photographers documented the widespread destruction, capturing haunting images of the devastation and human resilience, reflecting a new era of social consciousness and realism in Japanese photography. The disaster also played a pivotal role in revitalizing traditional woodblock printmaking, inspiring artists to create powerful and emotionally charged prints that depicted the earthquake's aftermath, offering a bridge between the past and present by blending traditional techniques with contemporary subject matter. This seismic event thus left an indelible mark on Japanese art, pushing it towards greater social engagement and a fusion of modern and traditional artistic sensibilities.

Fittingly, Inagaki elects for a limited palette in this straightforward but powerful composition. Vertical structures stand in resilient defiance while the rubble from the devastation populates the composition. In Western-style buildings of this time, doorways were among the most structurally sound portions of buildings. The remains of these entrances along with fireplaces were striking sights encountered among miles of ruble.

Connoisseur's Note

As a resident of Tokyo, Inagaki experienced first-hand the devastating impact of this calamity. His artwork from this time is an important historical record and a significant contribution to Sosaku Hanga. The artist’s work from this period is exceedingly rare. Due to the subject matter, the artist did not produce these designs for commercial purposes, and only a limited number of impressions were produced.