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Artists
Umetaro Azechi
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Fritz Capelari
Hashiguchi Goyo
Hideo Hagiwara
Yozo Hamaguchi
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Ito Shinsui
Natori Shunsen
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Umetaro Azechi
Charles Bartlett
Peter Irwin Brown
Fritz Capelari
Hashiguchi Goyo
Hideo Hagiwara
Yozo Hamaguchi
Suzuki Harunobu
Okiie Hashimoto
Kawase Hasui
Un'ichi Hiratsuka
Takahashi Shotei Hiroaki
Ando Hiroshige
Katsushika Hokusai
Joichi Hoshi
Ohara Koson
Ohara Shoson
Tomoo Inagaki
Paul Jacoulet
Clifton Karhu
Elizabeth Keith
Utamaro Kitagawa
Fumio Kitaoka
Kaburagi Kiyokata
Kobayakawa Kiyoshi
Tsuchiya Koitsu
Torii Kotondo
Utagawa Kuniyoshi
Haku Maki
Lillian Miller
Yoshitoshi Mori
Tadashi Nakayama
Hajime Namiki
Noel Nouet
Chiura Obata
Kazuma Oda
Koshiro Onchi
Kiyoshi Saito
Jun'ichiro Sekino
Toko Shinoda
Ito Shinsui
Natori Shunsen
Kyokichi Tanaka
Ryohei Tanaka
Ishikawa Toraji
Kunisada Utagawa (Toyokuni III)
Sadao Watanabe
Hiroshi Yoshida
Toshi Yoshida
SHOP <b>PAGODA OF IKEGAMI HONMONJI TEMPLE</b> / Kawase Hasui1928<b>SOLD</b></em>
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<b>PAGODA OF IKEGAMI HONMONJI TEMPLE</b> / Kawase Hasui1928<b>SOLD</b></em>

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ARTIST: Kawase Hasui (1883-1957)

TITLE: Pagoda of Ikegami Honmonji Temple

MEDIUM: Woodblock print

DATE: 1928

DIMENSIONS: 19 x 9 1/2 inches

CONDITION: Excellent, no problems to note

LITERATURE: Kendall H. Brown, Kawase Hasui: The Complete Woodblock Prints, 2003, pl. 180

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ARTIST: Kawase Hasui (1883-1957)

TITLE: Pagoda of Ikegami Honmonji Temple

MEDIUM: Woodblock print

DATE: 1928

DIMENSIONS: 19 x 9 1/2 inches

CONDITION: Excellent, no problems to note

LITERATURE: Kendall H. Brown, Kawase Hasui: The Complete Woodblock Prints, 2003, pl. 180

SOLD

.

Get in touch to purchase

ARTIST: Kawase Hasui (1883-1957)

TITLE: Pagoda of Ikegami Honmonji Temple

MEDIUM: Woodblock print

DATE: 1928

DIMENSIONS: 19 x 9 1/2 inches

CONDITION: Excellent, no problems to note

LITERATURE: Kendall H. Brown, Kawase Hasui: The Complete Woodblock Prints, 2003, pl. 180

SOLD

.

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Details

The sun is quickly setting at Honmonji temple. Overhead, the darkening skies pay host to a fleeting crimson while the greens of the trees deepen and the ground’s gravel blacken. At the center of the composition, the temple’s pagoda glows warmly with the last embers of the day. The success of this design owes much to the masterful printing effects of Watanabe’s skilled craftsmen. The baren sujizuri (swirls) and bokashi (color gradation) found throughout the design, particularly seen in the trees and in the grounds below, give this impression a wonderful sense of texture and depth.

Kawase Hasui was quite fond of this subject, as he depicted temple complexes throughout his prolific career. Of those many designs, this work is the among most successful, as the long narrow tanzaku format is perfectly suited for this composition.

Connoisseur's Note

This work is the first state of the design as published by Watanabe. The impression bears the publisher’s “A-type” seal at the lower right margins. This design, executed in the long and narrow tanzaku format that is scarcely seen, as the artist only produced a handful of designs in this configuration. This impression is an excellent example of the design. Exhibiting fresh, untouched colors as sharp and vivid as the day it was printed.

 
 

 
 
More prints by Kawase Hasui:
<b>KASUGA SHRINE IN SNOW, NARA</b> / <em>Kawase Hasui<br>c. 1933<br><br>$6,000</em>
 

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