<b>Japonisme: The Japanese Influence on Western Art Since 1858</b>$75</em>
Japonisme : The Japanese Influence on Western Art Since 1858
AUTHOR: Siegfried Wichmann
PUBLISHER: Random House Value Publishing, 1985
DIMENSIONS: 12 x 11 1/8 x 1 3/4 inches (hardcover)
PAGES: 432
TEXT: English
CONDITION: Excellent, light soiling to book's edge and dust jacket
PRICE: $75.00
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The impact of Japan on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan's door to the outside world in 1858—ending 200 years of total isolation—a wealth of visual information from the superb Japanese traditions of ceramics, metalwork, architecture, printmaking, and painting reached the West. It brought with it electrifying new ideas of composition, color, and design.
One has only to see a celebrated work by Monet, Degas, Whistler, or van Gogh, Toulouse-Lautrec, an Art Nouveau glass vase, or a lacquered hair comb side by side with its Japanese source to see how these ideas have inspired European artists. Nor is this influence superficial: Japanese conventions of symbolism underlie the use of decorative motifs in European Symbolism and Art Nouveau, and the Zen idea of spontaneity is the ultimate source of both the capricious shapes of Art Nouveau objects and the development of an abstract "calligraphy" in Abstract Expressionism.
Siegfried Wichmann, the acknowledged expert on Japonisme, accompanies the breathtaking illustrations with a text that organizes a wealth of detail and opens up new lines of inquiry. This text contains 1,105 illustrations, 243 in color.
Japonisme : The Japanese Influence on Western Art Since 1858
AUTHOR: Siegfried Wichmann
PUBLISHER: Random House Value Publishing, 1985
DIMENSIONS: 12 x 11 1/8 x 1 3/4 inches (hardcover)
PAGES: 432
TEXT: English
CONDITION: Excellent, light soiling to book's edge and dust jacket
PRICE: $75.00
SEE INSIDE BOOK HERE
CONTACT US TO PURCHASE
Details
The impact of Japan on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan's door to the outside world in 1858—ending 200 years of total isolation—a wealth of visual information from the superb Japanese traditions of ceramics, metalwork, architecture, printmaking, and painting reached the West. It brought with it electrifying new ideas of composition, color, and design.
One has only to see a celebrated work by Monet, Degas, Whistler, or van Gogh, Toulouse-Lautrec, an Art Nouveau glass vase, or a lacquered hair comb side by side with its Japanese source to see how these ideas have inspired European artists. Nor is this influence superficial: Japanese conventions of symbolism underlie the use of decorative motifs in European Symbolism and Art Nouveau, and the Zen idea of spontaneity is the ultimate source of both the capricious shapes of Art Nouveau objects and the development of an abstract "calligraphy" in Abstract Expressionism.
Siegfried Wichmann, the acknowledged expert on Japonisme, accompanies the breathtaking illustrations with a text that organizes a wealth of detail and opens up new lines of inquiry. This text contains 1,105 illustrations, 243 in color.
Japonisme : The Japanese Influence on Western Art Since 1858
AUTHOR: Siegfried Wichmann
PUBLISHER: Random House Value Publishing, 1985
DIMENSIONS: 12 x 11 1/8 x 1 3/4 inches (hardcover)
PAGES: 432
TEXT: English
CONDITION: Excellent, light soiling to book's edge and dust jacket
PRICE: $75.00
SEE INSIDE BOOK HERE
CONTACT US TO PURCHASE
Details
The impact of Japan on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan's door to the outside world in 1858—ending 200 years of total isolation—a wealth of visual information from the superb Japanese traditions of ceramics, metalwork, architecture, printmaking, and painting reached the West. It brought with it electrifying new ideas of composition, color, and design.
One has only to see a celebrated work by Monet, Degas, Whistler, or van Gogh, Toulouse-Lautrec, an Art Nouveau glass vase, or a lacquered hair comb side by side with its Japanese source to see how these ideas have inspired European artists. Nor is this influence superficial: Japanese conventions of symbolism underlie the use of decorative motifs in European Symbolism and Art Nouveau, and the Zen idea of spontaneity is the ultimate source of both the capricious shapes of Art Nouveau objects and the development of an abstract "calligraphy" in Abstract Expressionism.
Siegfried Wichmann, the acknowledged expert on Japonisme, accompanies the breathtaking illustrations with a text that organizes a wealth of detail and opens up new lines of inquiry. This text contains 1,105 illustrations, 243 in color.