<b>Japonisme Comes to America</b>$50</em>
Japonisme Comes to America
AUTHOR: Julia Meech, Gabriel P. Weisberg
PUBLISHER: Harryn Abrams, Inc., 1990
DIMENSIONS: 10 1/4 x 9 1/8 x 1 inches (hardcover)
PAGES: 256
TEXT: English
CONDITION: Excellent, light soiling to dust jacket
PRICE: $50.00
SEE INSIDE BOOK HERE
CONTACT US TO PURCHASE
Details
This outstanding reference details how the art movement, Japonisme, made its way to America. Japonisme was a term originally coined by the French to describe the popularity and influence of Japanese art and design in Western Europe in the 19th century following the forced opening of Japan in 1858. Shortly after making its impact in Europe, Japonisme made its force felt in the new world. This book is particularly useful to collectors of work by Arthur Wesley Dow, Helen Hyde, and Bertha Lum.
Japonisme Comes to America
AUTHOR: Julia Meech, Gabriel P. Weisberg
PUBLISHER: Harryn Abrams, Inc., 1990
DIMENSIONS: 10 1/4 x 9 1/8 x 1 inches (hardcover)
PAGES: 256
TEXT: English
CONDITION: Excellent, light soiling to dust jacket
PRICE: $50.00
SEE INSIDE BOOK HERE
CONTACT US TO PURCHASE
Details
This outstanding reference details how the art movement, Japonisme, made its way to America. Japonisme was a term originally coined by the French to describe the popularity and influence of Japanese art and design in Western Europe in the 19th century following the forced opening of Japan in 1858. Shortly after making its impact in Europe, Japonisme made its force felt in the new world. This book is particularly useful to collectors of work by Arthur Wesley Dow, Helen Hyde, and Bertha Lum.
Japonisme Comes to America
AUTHOR: Julia Meech, Gabriel P. Weisberg
PUBLISHER: Harryn Abrams, Inc., 1990
DIMENSIONS: 10 1/4 x 9 1/8 x 1 inches (hardcover)
PAGES: 256
TEXT: English
CONDITION: Excellent, light soiling to dust jacket
PRICE: $50.00
SEE INSIDE BOOK HERE
CONTACT US TO PURCHASE
Details
This outstanding reference details how the art movement, Japonisme, made its way to America. Japonisme was a term originally coined by the French to describe the popularity and influence of Japanese art and design in Western Europe in the 19th century following the forced opening of Japan in 1858. Shortly after making its impact in Europe, Japonisme made its force felt in the new world. This book is particularly useful to collectors of work by Arthur Wesley Dow, Helen Hyde, and Bertha Lum.