<b>Collection of Sekino Jun’ichiro Prints</b>$150</em>
Collection of Sekino Jun'ichiro Prints
AUTHOR: Kamio Itaru (ed.)
PUBLISHER: Print Collector’s Salon, 1972
DIMENSIONS: 11 1/2 x 9 x 1 inches (softcover)
PAGES: 145
TEXT: Japanese
CONDITION: Very light foxing to sides of book and on a few pages; light fading to spine; otherwise in fine shape
NOTE: Hand-singed by Sekino on inside cover
PRICE: $150.00
SEE INSIDE BOOK HERE
CONTACT US TO PURCHASE
Details
This book is one of the first catalogues produced on woodblock prints and paintings of Sekino Jun’ichiro. This reference reproduces early and late work in both color and black. Of particular interest are images of rarely seen work predating 1950. The book’s front flyleaf is signed and sealed by the artist.
Collection of Sekino Jun'ichiro Prints
AUTHOR: Kamio Itaru (ed.)
PUBLISHER: Print Collector’s Salon, 1972
DIMENSIONS: 11 1/2 x 9 x 1 inches (softcover)
PAGES: 145
TEXT: Japanese
CONDITION: Very light foxing to sides of book and on a few pages; light fading to spine; otherwise in fine shape
NOTE: Hand-singed by Sekino on inside cover
PRICE: $150.00
SEE INSIDE BOOK HERE
CONTACT US TO PURCHASE
Details
This book is one of the first catalogues produced on woodblock prints and paintings of Sekino Jun’ichiro. This reference reproduces early and late work in both color and black. Of particular interest are images of rarely seen work predating 1950. The book’s front flyleaf is signed and sealed by the artist.
Collection of Sekino Jun'ichiro Prints
AUTHOR: Kamio Itaru (ed.)
PUBLISHER: Print Collector’s Salon, 1972
DIMENSIONS: 11 1/2 x 9 x 1 inches (softcover)
PAGES: 145
TEXT: Japanese
CONDITION: Very light foxing to sides of book and on a few pages; light fading to spine; otherwise in fine shape
NOTE: Hand-singed by Sekino on inside cover
PRICE: $150.00
SEE INSIDE BOOK HERE
CONTACT US TO PURCHASE
Details
This book is one of the first catalogues produced on woodblock prints and paintings of Sekino Jun’ichiro. This reference reproduces early and late work in both color and black. Of particular interest are images of rarely seen work predating 1950. The book’s front flyleaf is signed and sealed by the artist.