<b>SNOW AT KATSURA</b> / Clifton Karhu1970<b>SOLD</b></em>

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ARTIST: Clifton Karhu (1927-2007)

TITLE: Snow At Katsura

EDITION: 16/50

MEDIUM: Woodblock

DATE: 1970

DIMENSIONS: 18 x 27 inches

CONDITION: Excellent, light backing added for matting purposes as was the practice in 1970s Japan

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ARTIST: Clifton Karhu (1927-2007)

TITLE: Snow At Katsura

EDITION: 16/50

MEDIUM: Woodblock

DATE: 1970

DIMENSIONS: 18 x 27 inches

CONDITION: Excellent, light backing added for matting purposes as was the practice in 1970s Japan

SOLD

Get in touch to purchase

ARTIST: Clifton Karhu (1927-2007)

TITLE: Snow At Katsura

EDITION: 16/50

MEDIUM: Woodblock

DATE: 1970

DIMENSIONS: 18 x 27 inches

CONDITION: Excellent, light backing added for matting purposes as was the practice in 1970s Japan

SOLD

Get in touch to purchase

 

 
 
 
 

Details

In this brilliant architectural scene, Karhu depicts the stunning structures at the Katsura Imperial Villa, just outside of Kyoto. These grounds are considered Japanese cultural treasures, showcasing masterpieces of Japanese landscaping while the buildings are regarded among the greatest achievements of Japanese architecture.

Set in winter with a healthy snow cover, Karhu’s design honors the construction of these hallowed structures by utilizing light and color in a systematic and organized manner, echoing the subject’s formal architecture. Blocks of blue, gray, and white construct the composition and provide an astonishing sense of light filtering through. The organic shadows of trees below and the woodgrain pattern at the center of the composition animate the design and deliver a sense of depth. Though the structures depicted are highly traditional, Karhu’s design comes off as quite contemporary with a strong mid-century modern character.

 

Connoisseur's Note

This impression is in an exceedingly fine state of preservation. The print’s colors are as fresh and vivid as the day the work was executed. It’s quite rare to find oversized prints, such as this one, in excellent condition, as the far majority of these prints suffered from poor framing practices and light exposure.