<b>WASHINGTON D.C.</b> / Unichi Hiratsuka1976<B>SOLD</B></em>
ARTIST: Unichi Hiratsuka (1895-1997)
TITLE: Washington D.C.
MEDIUM: Woodblock print
DATE: 1976
DIMENSIONS: 17 ½ x 19 ½ inches
CONDITION: Excellent; no condition problems to note
LITERATURE: Helen Merritt, Bernd Jesse, Hiratsuka Modern Master, 2001
SOLD
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ARTIST: Unichi Hiratsuka (1895-1997)
TITLE: Washington D.C.
MEDIUM: Woodblock print
DATE: 1976
DIMENSIONS: 17 ½ x 19 ½ inches
CONDITION: Excellent; no condition problems to note
LITERATURE: Helen Merritt, Bernd Jesse, Hiratsuka Modern Master, 2001
SOLD
Get in touch to purchase
ARTIST: Unichi Hiratsuka (1895-1997)
TITLE: Washington D.C.
MEDIUM: Woodblock print
DATE: 1976
DIMENSIONS: 17 ½ x 19 ½ inches
CONDITION: Excellent; no condition problems to note
LITERATURE: Helen Merritt, Bernd Jesse, Hiratsuka Modern Master, 2001
SOLD
Get in touch to purchase
Details
Hiratsuka Unichi's woodblock print offers a striking glimpse into the heart of Washington, D.C., skillfully capturing the essence of the bustling cityscape with his mastery of black and white compositions. Having relocated to Maryland in the 1950s, Hiratsuka brings a unique perspective to his portrayal of the American capital. In this striking view, an intersection slices through the center of the composition, serving as a dynamic focal point that draws the viewer's gaze towards the majestic Capitol building looming in the background. Sparse yet purposeful, cars navigate the intersection like stones in a Japanese Zen garden, while the tree-lined streets and clustered buildings add depth and texture to the urban scene. Hiratsuka's meticulous attention to detail and nuanced use of light and shadow create a sense of movement and depth, inviting the viewer to journey along the bustling streets toward the iconic symbol of American democracy. Through his evocative portrayal, Hiratsuka captures not just the physical landscape of Washington, D.C. but also the vibrant energy and spirit of the city itself.
Connoisseur's Note
This design was executed during Hiratsuka’s extended stay in the US, where he resided until his 100th birthday. He then returned to Japan and remained there until his passing two years later. As with all of Hirastuka's work, this print was entirely self-directed—conceived, carved, and printed by the artist himself. The composition's varying textures showcase the artist's adeptness with carving and printing his own designs. The quiet simplicity of this design, combined with the potency of the black-and-white tonality of the composition, imbues this work with the hallmark potency of this Sosaku Hanga artist.