<b>RAINBOW TROUT</b> / Chiura Obatac. 1930s<b>SOLD</b></em>
ARTIST: Chiura Obata (1885–1975)
TITLE: Rainbow Trout
MEDIUM: Japanese mineral pigment on silk
DATE: c. 1930s
DIMENSIONS: 19 ½ x 15 5/8 inches
CONDITION: Excellent, no problems to note
NOTE: Rare original work of design used in the Takamizawa series of 1930
LITERATURE: Driesbach, Janice, Obata's Yosemite: Art and Letters of Obata from His Trip to the High Sierra in 1927, Yosemite Conservancy, 1993
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SOLD
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ARTIST: Chiura Obata (1885–1975)
TITLE: Rainbow Trout
MEDIUM: Japanese mineral pigment on silk
DATE: c. 1930s
DIMENSIONS: 19 ½ x 15 5/8 inches
CONDITION: Excellent, no problems to note
NOTE: Rare original work of design used in the Takamizawa series of 1930
LITERATURE: Driesbach, Janice, Obata's Yosemite: Art and Letters of Obata from His Trip to the High Sierra in 1927, Yosemite Conservancy, 1993
.
SOLD
.
ARTIST: Chiura Obata (1885–1975)
TITLE: Rainbow Trout
MEDIUM: Japanese mineral pigment on silk
DATE: c. 1930s
DIMENSIONS: 19 ½ x 15 5/8 inches
CONDITION: Excellent, no problems to note
NOTE: Rare original work of design used in the Takamizawa series of 1930
LITERATURE: Driesbach, Janice, Obata's Yosemite: Art and Letters of Obata from His Trip to the High Sierra in 1927, Yosemite Conservancy, 1993
.
SOLD
.
Details
In 1930 the Japanese print publisher, Takamizawa, produced a series of woodblock prints based on designs by Obata. Although the vast majority featured landscapes, one design showcased a striped bass leaping out of a raging sea (see image below). This original work by Chiura Obata may be the basis for the design featured by Takamizawa. This work shows a highly detailed composition of a striped bass leaping out of a raging body of water. The fish is rendered in precise lifelike realism. The sea below is equally compelling, as the raging waters look realistic with a strong sense of movement. Both elements create a dramatic, spellbinding composition. Although the Takamizawa impression is quite masterful, it lacks the dynamism and artistic presence of this original work.
Connoisseur's Note
This stunning, large-scale, and well-executed composition on silk is perhaps among Obata's most detailed paintings. Other original works of this design are known; however, the vast majority are limited to smaller compositions done as rather quick renderings in sumi, or mineral pigments, on paper. This painting's clear connection to Takamizawa's series makes it that much more desirable and historically significant.
This work has never been framed or mounted; as such, it is loose and in an exceptional state of preservation. The work is signed and sealed at the lower left.